What Makes Dark Art Dark?What Makes Dark Art, Dark
Dark art is an incredibly versatile genre. It can be mixed, mashed up, and paired with several other different art styles whether it be surreal, conceptual, science fiction - the list goes on and on. Not only that, but's it's often directly associated with and compared to other art genres, mainly the emotional art genre. So then, what makes something dark? What makes dark art so unmistakably it's own genre? Let's find out!
A Sinister Feeling
Sinister, giving the impression that something harmful or evil is happening or will happen. For me, the word sinister describes dark art the best. While there are certain colors and subject matters that are often associated with dark art, I believe it transcends visuals. All you really need is t
The Wow Effect: Offsite Tutorial FeatureA Tutorial Feature
DA has an amazing tutorial section, but it's always good to gather resources from more than one place. So, here is a list of some outstanding tutorials I have stumbled upon. Some are old, some are new, but all of them are worth giving a look at!
Giger Style Photoshop Tutorial
Type: Science Fiction, Dark
"For the final installment of our Sci-Fi series, I thought it would be good to up the ante and do something real crazy. The following walkthrough outlines the techniques and resources used to create a Giger influenced ‘Biomech’ piece. Many of the processes are very similar to our previous walkthroughs, however this type of work requires an important added ingredient: patience!!"
Tools of the Trade: Choosing StockWhat to Look For
When it comes to stock images there is no better time to be picky. With both free and purchased stock, be discerning. Once you start being picky about what stock you use, and even better when you start using premium stock, you will notice your quality of work will increase a significant amount. Better ingredients means better results.
You want a crisp clear image with a very very low amount of noise, no motion blur caused by a shaky camera, and completely no artificial effects and edits. Noise is the most common issue, but also the easiest to deal with (to an extent) as long as the image is a good size. Which brings us to our next quality to look for.
The bigger the better. The bigger it is the easier it is to add details, fix defects, and overall just a million times easier to work with. In fact, unless you are a 100% web only hobbyist low resolution images are basically unusable. There is nothing
Manip Academy #14: How to Create a Ray of Light:iconlauraypablo:
This tutorial was written by lauraypablo!
Tutorial By lauraypablo
Landscape By spellpearlarts
Here in this tutorial I show you how to create a nice ray of light, hope it will be
useful, also wanted to say sorry if my English is not very good, try to do the
best I could
Start duplicating the background layer
We modify the sliders to exaggerate the light parts of image
Create a layer mask and we invest pressing CTRL+I/COMMAND + I in MAC
We take a brush in white low hardness and paint on part to expose.
The opacity of the brush to use 42% and 0% hardness
We create a gradient. Open the gradient editor, change the gradient to NOISE
Mode color and put it in HSB saturation down and click OK
Change the style to ANGLE and move the ANGLE and the gradient.
Press OK. Blending Mode Weft(Modo Trama)
We add an adjustment layer Levels on
3 Sites I Can't Recommend Enough
I never liked tutorial sites. All they seemed to offer was a slew of cheap tricks and what ever lame effect was trending at the time. I believe tutorials should be singular effects that can be built upon, used across different genres, and most importantly timeless. That is what SurrealPSD offers, along with articles concerning freelance work, and photomanipulation (as opposed to graphic design). It's a shinning gem. Plus it's ran by conzpiracy, so you know it's legit.
- White Glossy Eyes
- Removing Objects
- The Realities of a Freelance Digital Artist
Tools of the Trade: Helpful HardwarePen Tablets
Pen tablets are probably one of the most sought after pieces of hardware among the digital artist crowd. And while you would be highly mistaken if you think that a pen tablet will instantly make you an amazing artist, it is a very handy tool. I personally use one, and while it took me a good year and a half to actually use it after I bought it, once I began using it I loved it.
Huion 8 ExpressKey 10 x 6 Inches Graphics Drawing Tablet
Price: $55.97 on Amazon
Pen Pressure: 2048
Size: 10'' x 6''
I am extremely intrigued by this tablet. 2048 levels of pen pressure sensitivity, 8 expresskeys and 16 User-defined Keys that are all customizable, medium sized, a more than affordable price, and a little pen holder that looks mighty familiar. It seems to be a more a
Tips for creating dark art
Tips for creating dark art
I have heard many people's opinions about dark art. What defines it? What's it's main features? There is many who think they create dark art, but others who tell them THAT isn't what dark art is. But is that fair? Is it up to us to decide what dark art is OR is it something we need to feel. Something that comes to every human in need and offers a cold a dark reality of comfort. Here are the opinions of some dark artists...
"Go beyond the cliché and open your mind. People think creating something dark means you have to stick to cemeteries, goth chicks, and muted tones, which is false! Embrace colour in your dark work. Use your emotions and use your art to explore the darker side of your soul. I have found some of my darkest pieces came from me sitting outside in the sunshine and simply remembering something. Such as how the sun
Photomanip: Working with TexturesWelcome!
Textures are a critical part of so many photomanipulations, but they're not as easy to use as they appear. Below are some great examples of photomanipulations that, in my opinion, demonstrate excellent use of textures:
The goal of this article . . .
. . . is to serve as a resource for those of us who enjoy having textures be a predominant part of our photomanipulations and mixed media work so we can learn to use textures properly. Texture misuse or abuse can ruin an entire photomanipulation that otherwise might have been good. No matter how good we are at something, we can always grow to be better.
This journal represents the opinions of only one person: me, and it does not claim to be the end-all,
My favorites and stocks that I recommend ( part 1)These are galleries that I have in my favorites because I do not usually look at stocks that are on the popular Deviantart because I always see pictures stolen and porn (see tips here ) then for me not to see these things, I use only the stocks that I have in my watchers
In this journal I'll add providers that have more stocks Premades, PNGs, and photographs stocks nature and architecture ....
My favorites are YBsilon-Stock and EveLivesey I really love their resources, they are the best (in my opinion hehe)
Camera Raw Tools for Photographers
This article aims to highlight some of the more useful tools that you can find in Camera RAW. It's doesn't cover everything, and purely focuses on the useful things for the image used. But hopefully it will give a bit of insight and maybe even highlight something that you haven't used before...
This tool will save your life. Honestly. I'm not exaggerating! Whilst it is possible to 'over' soften an image, most of the time all that's required to reduce a little noise is to up the luminance slider just a little bit.
Auto White Balance
Quite often , the white balance can be the only thing that upsets an image. In the example that I'm using, the day was fairly dull but the whiteness of the sky was quite overpowering. Therefore the clarity of the image turned out to be weaker than I wanted and the light 'harsher.' Using 'Auto White Balance' gave it an Autumnal sort of feel and a tinge of orang
Macro-PhotographyWhat's Macro Photography? Technically a Macro photograph shows a subject that is life size compared to the size of the negative of a SLR or sensor in a Full Frame DSLR, that's a 1:1 reproduction ratio aspect. For example, if we take a macro of an object wich is 35 mm long, it will cover the whole frame, no matter what size the reproduction, if we are shooting with a Full Frame camera. Often a ratio aspect of 1:2 is also considered Macro, although that ratio shows subjects wich life size is half of the size compared to the negative or sensor, I preffer to call those pictures Close-up photograpies.
Here is an example of what I'm saying: I shot a measuring tape with my D600, wich is a full frame camera, and my macro lens set at the maximun magnification. As you can see there's exactly 35 mm of the tape.
Example of 1:1 ratio aspect with a full frame camera
What do we need to do Macro Photography? Well, firstly a c
Traditional Art Techniques IITraditional Art Techniques II
Traditional Art Week continues! This article will give you a brief overview of even more physical media techniques and their characteristics, featuring beautiful examples found all over DeviantArt and tutorials. I sincerely hope this will get you inspired to try something new and experiment, why not pick a tutorial and see what you learn! Don't forget, whilst techniques has their own regulations and principles, they still can be combined, you have to be no wizard (just a little creative) to find a new way to express yourself through them. Let's take a look
(Traditional Art Techniques I)
1. Drawing media II
Drawing is one of the major forms of expression within the visual arts, and is generally concerned with the marking of lines and areas of tone onto paper. Traditional drawings were monoc
Manip Academy 13: How to make glowing things Hello everybody!
Today I'm going to show you how to make glowing things. Light is very important in making photomanipulations, so techniques you will know will be useful.
Make base for your glow
Start from making base at new layer, change blending mode to Color dodge. You can use shape brush (here, dragonflies or stars or anything), or normal soft round brush. Then, duplicate it and change blending mode to Linear dodge (Add). After, for better effect draw with big soft round brush dot over your thing and use Color dodge blending mode. You can duplicate layer with glow or layer with glow and base for better effect.
It's important to make good lightning with glowing things. Light isn't strong, but always light up space around.
Also, you can add some particles around glowing things. Just draw basic shape and change blending options, as is shown. Use the natural color spectrum. Base should be bri
Manip Academy 5: Blending Modes and ManipsNote: This Manip Academy tutorial is from LadyEvilArts. It is not my work. Please direct any questions, comments, love, or gratitude her way. Thank you!
Blending modes and photomanipulations
Few words about most used blending modes (bm), how they affect the image (positive and negative moments).
First of all I want to remind about the option of creating layer filled with neutral colour for chosen blending mode. Holding Alt press icon "create a new layer", Photoshop will show you window like this:
Just select desired bm and check "fill with ... neutral color". Sometimes it's very helpful.
Second, when you use blending modes for toning for example, use option "new adjustment layer - solid colour" instead of filling new layer with bucket. Solid color doesn't increase size of your psd file as much as pixel layer does.
And third - brush, clone stamp, history brush, bucket/gradient, all these tools have option to select bm i
Ten Portrait Photography TipsPeople & Portrait Photography
Check your Angles
Avoid unflattering angles, don't frame your model with their arms or legs chopped off unless it works for the image. If in doubt, fully frame them and do the chopping afterwards in post-processing! Don't forget to check that the tops of their heads and their feet are in focus. Missing feet are disconcerting!
Be the Director
As the Photographer, most people will be looking to you for direction. There's no time to be shy when you're behind the camera! Keep calm to help your model remain relaxed but make sure they're not made to feel awkward if you lack giving instruction. Pose them well, avoid direct bright sunlight and check out your background.
Eye contact...or not
Eye contact isn't always necessary, in fact candid journalistic style photographs often work best. Your subject doesn't have to be looking directly at the camera for it to be a successful shoot, but yo
Why You Should Still Be Experimenting As we began our trek into the world of art most of us spent a decent amount of time experimenting to find our niche.
But for many artists, once they find their place and style they often stop listening for any other callings.
What Exactly do You Mean by "Experiment".
Trying new things - of course we should experiment and text our tools, that's one of the first steps to becoming an artist in learning what you're working with and how to use your resources and tools to produce the best outcome for your art. What this article is about however is going outside your style and technique.
Why Should You Experiment?
Experimenting is a crucial part of learning. It's also a giant piece of expanding, improving and adding to what you already have. Imagine if the first thing you created was all you ever did. I'd be taking photo after photo of the sunrise: two problems with that are I'm not a mining person
PE: Shading EmotesShading Emotes
'Ello there! If you've been on any social media site, you most likely in one form or another have used an emoticon. An emoticon is an icon that expresses emotion. Such as
Emotes are an easy way to express yourself and I'm going to teach you how to shade some.
Almost all emotes are sized to be 15x15 (unless you are making a larger one; tutorial by IceXDragon described here). You can use lots of programs to make them. I use MS Paint to make my emotes because I believe it's the easiest to control but you can use whatever you like.
An emote's outline will look like this (You can use it if you want. ) :
Here's what it looks like at a bigger scale.
Emotes should look circular like the one above. I would recommend this size for all emotes at a standard size level. At this stage, I like to mess with the emote to see what k
Leather burning and inkingLEATHER BURNING AND INKING
Hi there, dear crafters!
Since it's another amazing Artisan Crafts week, I have an honour to write another article for you. And because I get many questions about how do I finish my leather works, here are some tips and tricks about that
I'm working with natural leather, so have no idea how the faux-leather would come up. Since that technique requires actual burning a surface of the material, I'd advise you to stick to the natural one. Trying to burn plastic [some kind of which most of the faux-leathers are made of] can go wrong. And stinky. And unhealthy.
That said, there's still question what kind of naturall leather? Every suede one. The tickness, colour, origin, age etc. are not very important as long as you have nice, fluffy
Getting started with Still LifeStill Life Photography doesn't have to be difficult to achieve. There are lots of ways of getting inspired to start with the techniques that help to create still life images and this article highlights just a few of them. There are the traditional still life captures, such as Danbo (the little box man), fruit and cookies! There are also ways of getting creative and thinking outside of the box. It's perfectly okay to replicate ideas that are already out there, but why not try something new aswell?
One of the most easy things that I find with Still Life Photography, is the set up and pressing of the capture button! Actually coming up with the ideas in the first place is the tricky part, and that's when I start to look at what's around me. The beauty with still life photography is that you don't have to go trudging through snow to capture an image, or wading through flood waters. It's not journalistic, it rarely includes nature unless you count cut flo
Darkest Resources--Dark Art In Photomanipulations
I put together this blog for the current "Dark Photomanipulations" week at projecteducate. I thought I'd share the same feature with you as well.
FYI: There is going to be a Dark Photomanipulation Chat Event happening this Friday, March 14th, in the Chat Room at CRPhotomanipulation. Come prepared to create a dark manip with your own stock. You'll be able to give and receive advice as you create your deviation. And there's more! We're going to have some fun, so don't forget to join us, 4:00 Eastern Standard Time.
It goes without saying, without appropriate stock photos, and other resources, digital photomanipulation as we know today would not exist.
I want to share with you some favorites from a texture deviant, and model stock from five providers. Yes, I know that Dark art does not have to be black;
I like black, and no further explanation is needed.
The Wow Effect: What Makes Great, Great?For the latter half of March through the beginning of April, the theme at we-HEART-photomanip will be, The Wow Effect. Today, I am going to present some information about what makes a great photomanipulation great.
A great photomanipulation has great composition.
Composition is the way your eye travels over the photomanipulation and where your eye rests. What is the focal point of the image? Is that an appropriate focal point? (For example, are your eyes drawn to the model's eyes/face, or her arm? ) Composition is how we capture and keep the attention of our viewers. Popular composition styles include the Rule of Thirds and the Golden Ratio, although there are certainly others.
Essentials of Writing a CritiqueEssentials of Writing a Critique
DeviantART has a wonderful feature that allows people to give constructive criticism about other people's artwork, or receive it for theirs. But this can be rather limiting when you can only give one critique per deviation. You have to make it as perfect as possible - so the other person can understand your perspective clearly. Here's my opinion on how you could go about writing a critique. Enjoy~
Describe: I suggest that you always start off by describing the other person's piece. Sometimes, even addressing the obvious can help to 'set the background in motion' so the artist knows whether his piece's significance got through or not.
Analyze: Try to think critically. Though you want to share your opinion, it is sometimes helpful to see it from everyone's eyes. Also, divide the main aspects while writing a critique. If you're writing a critique on a digital art piece, you can divide it into line-art, then shading et
Hints and Tips #2 : Water SplashesWater Splashes:
Creative Use Of Water In Macro
In this tutorial I'll show you an easy way to turn a simple bottle into
a tool for creating stunning water splashes in your pictures.
An empty dish washing liquid bottle or shampoo bottleA lens to shoot from distance OR you risk water damage
Preparing the bottle
Open your empty bottle. Clean it with water until no more soap bubbles are building.
Now fill it up with water.
Set a short exposure time to „freeze“ the water in motion.
Press on the bottle to release the water, while taking photos.
Be sure the water does not get inside your camera.
Technique #1 – Moment of Impact
10 Ways to Improve the Quality of our PhotomanipsOn the "decline" of quality in the photomanipulation gallery
I've seen a lot of polls, journals, etc. recently about the quality of the photomanipulation gallery and fears that it has declined. I have intentionally not commented, but I will address the issue here. I think our beloved community is going through a "learning phase" where we are rediscovering ourselves and our art. We have a lot-- a LOT-- of new people, and I want to wish them a warm welcome because they are critical to our vitality as a community..
In turn, a lot of our older, more experienced artists have moved on, frequently owing to time constraints due to having more commissions and freelance work.
So, saying our quality has declined is really not fair. Rather, we are in a cycle of change that happens every couple of years within our community.
It is perhaps true that we have reached a collective slump in creativity. Like inspires like, and I see the same thing over and
Dark Photo-manipulation TutorialsDark Photo-manipulation Tutorials
Deviantart is filled to burst with tutorials that will satisfy the hunger in any budding dark photo-manipulation artist. When fallowing a tutorial, if you want to get the most out of it, make sure to mix, match, experiment, and make it your own. Look past what a tutorial is and start looking at what it could be and you'll be creating people's nightmares in no time!
Light and Atmosphere
Tutorial Light and Mood (Photoshop) by nova63 Day Into Night Tutorial (PART ONE) by SteveWackenKing
Making Ghosts (tutorial) by zummerfish Disintegration Effect Tutorial by zummerfish